Krautrock and the Radical Politics of 1968

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskning

Standard

Krautrock and the Radical Politics of 1968. / Siegfried, Detlef.

The Cambridge Companion to Krautrock. red. / Uwe Schütte. Cambridge : Cambridge University Press, 2023. s. 28-43 2 (Cambridge companions to Music).

Publikation: Bidrag til bog/antologi/rapportBidrag til bog/antologiForskning

Harvard

Siegfried, D 2023, Krautrock and the Radical Politics of 1968. i U Schütte (red.), The Cambridge Companion to Krautrock., 2, Cambridge University Press, Cambridge, Cambridge companions to Music, s. 28-43. https://doi.org/10.1017/9781009036535.003

APA

Siegfried, D. (2023). Krautrock and the Radical Politics of 1968. I U. Schütte (red.), The Cambridge Companion to Krautrock (s. 28-43). [2] Cambridge University Press. Cambridge companions to Music https://doi.org/10.1017/9781009036535.003

Vancouver

Siegfried D. Krautrock and the Radical Politics of 1968. I Schütte U, red., The Cambridge Companion to Krautrock. Cambridge: Cambridge University Press. 2023. s. 28-43. 2. (Cambridge companions to Music). https://doi.org/10.1017/9781009036535.003

Author

Siegfried, Detlef. / Krautrock and the Radical Politics of 1968. The Cambridge Companion to Krautrock. red. / Uwe Schütte. Cambridge : Cambridge University Press, 2023. s. 28-43 (Cambridge companions to Music).

Bibtex

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title = "Krautrock and the Radical Politics of 1968",
abstract = "This chapter argues that the emergence of Krautrock can only be understood against the background of the specific mixture of national and international impulses that shaped the West German musical scene in the late 1960s and early 1970s. What is striking is a high degree of politicisation that resulted, among other things, from the Nazi past and the position of the divided country at the interface of the Cold War. It fuelled a particularly radical student movement and at the same time legitimised a fundamental critique of the culture industry. Combined with the musical impulses from United States and Britain, this gave rise to very unique musical forms that seemed to counter the international mainstream with something entirely new.",
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RIS

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AB - This chapter argues that the emergence of Krautrock can only be understood against the background of the specific mixture of national and international impulses that shaped the West German musical scene in the late 1960s and early 1970s. What is striking is a high degree of politicisation that resulted, among other things, from the Nazi past and the position of the divided country at the interface of the Cold War. It fuelled a particularly radical student movement and at the same time legitimised a fundamental critique of the culture industry. Combined with the musical impulses from United States and Britain, this gave rise to very unique musical forms that seemed to counter the international mainstream with something entirely new.

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