Analysing the series SKAM through an affective queer, crip, and antiracist reading strategy this article shows how SKAM re-politicizes the otherwise gay clichés the series touches upon; thus, the series present anything but a so-called “universal love story”. Rather, it offers a seldom seen queer eye for everyday homophobia as well as a possibility for alternative alliances among queers, crips, and secularism-criticals; alliances that move through as well as beyond the Feminist Killjoy.