Why Dora Left: Freud and the Master Discourse

Research output: Contribution to journalJournal articleResearchpeer-review

Standard

Why Dora Left : Freud and the Master Discourse. / Gammelgård, Judy.

In: Studies in Gender and Sexuality, Vol. 18, No. 3, 30.08.2017, p. 201-211.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Gammelgård, J 2017, 'Why Dora Left: Freud and the Master Discourse', Studies in Gender and Sexuality, vol. 18, no. 3, pp. 201-211. https://doi.org/10.1080/15240657.2017.1349513

APA

Gammelgård, J. (2017). Why Dora Left: Freud and the Master Discourse. Studies in Gender and Sexuality, 18(3), 201-211. https://doi.org/10.1080/15240657.2017.1349513

Vancouver

Gammelgård J. Why Dora Left: Freud and the Master Discourse. Studies in Gender and Sexuality. 2017 Aug 30;18(3):201-211. https://doi.org/10.1080/15240657.2017.1349513

Author

Gammelgård, Judy. / Why Dora Left : Freud and the Master Discourse. In: Studies in Gender and Sexuality. 2017 ; Vol. 18, No. 3. pp. 201-211.

Bibtex

@article{9baf1630ee2942c9904026f4cea1b314,
title = "Why Dora Left: Freud and the Master Discourse",
abstract = "The question of why Dora left her treatment before it was brought to a satisfactory end and the equally important question of why Freud chose to publish this problematic and fragmentary story have both been dealt with at great length by Freud{\textquoteright}s successors. Dora has been read by analysts, literary critics, and not least by feminists.The aim of this paper is to point out the position Freud took toward his patient. Dora stands out as the one case among Freud{\textquoteright}s 5 great case stories that has a female protagonist, and reading the case it becomes clear that Freud stumbled because of an unresolved problem toward femininity, both Dora{\textquoteright}s and his own. In Dora, it is argued, Freud took a new stance toward the object of his investigation, speaking from the position of the master. Freud presents himself as the one who knows, in great contrast to the position he takes when unraveling the dream. Here he is the humble scholar giving evidence of a great tolerance for not-knowing. These 2 positions run through Freud{\textquoteright}s writings from “The Interpretation of Dreams” (1900b) to “Analysis Terminable and Interminable” (1937a). From the Dora case a line can be drawn to Freud{\textquoteright}s metaphor of the bedrock of castration, the unsurpassable barrier to both analytical work and the theory of sex and gender.",
author = "Judy Gammelg{\aa}rd",
year = "2017",
month = aug,
day = "30",
doi = "10.1080/15240657.2017.1349513",
language = "English",
volume = "18",
pages = "201--211",
journal = "Studies in Gender and Sexuality",
issn = "1524-0657",
publisher = "Routledge",
number = "3",

}

RIS

TY - JOUR

T1 - Why Dora Left

T2 - Freud and the Master Discourse

AU - Gammelgård, Judy

PY - 2017/8/30

Y1 - 2017/8/30

N2 - The question of why Dora left her treatment before it was brought to a satisfactory end and the equally important question of why Freud chose to publish this problematic and fragmentary story have both been dealt with at great length by Freud’s successors. Dora has been read by analysts, literary critics, and not least by feminists.The aim of this paper is to point out the position Freud took toward his patient. Dora stands out as the one case among Freud’s 5 great case stories that has a female protagonist, and reading the case it becomes clear that Freud stumbled because of an unresolved problem toward femininity, both Dora’s and his own. In Dora, it is argued, Freud took a new stance toward the object of his investigation, speaking from the position of the master. Freud presents himself as the one who knows, in great contrast to the position he takes when unraveling the dream. Here he is the humble scholar giving evidence of a great tolerance for not-knowing. These 2 positions run through Freud’s writings from “The Interpretation of Dreams” (1900b) to “Analysis Terminable and Interminable” (1937a). From the Dora case a line can be drawn to Freud’s metaphor of the bedrock of castration, the unsurpassable barrier to both analytical work and the theory of sex and gender.

AB - The question of why Dora left her treatment before it was brought to a satisfactory end and the equally important question of why Freud chose to publish this problematic and fragmentary story have both been dealt with at great length by Freud’s successors. Dora has been read by analysts, literary critics, and not least by feminists.The aim of this paper is to point out the position Freud took toward his patient. Dora stands out as the one case among Freud’s 5 great case stories that has a female protagonist, and reading the case it becomes clear that Freud stumbled because of an unresolved problem toward femininity, both Dora’s and his own. In Dora, it is argued, Freud took a new stance toward the object of his investigation, speaking from the position of the master. Freud presents himself as the one who knows, in great contrast to the position he takes when unraveling the dream. Here he is the humble scholar giving evidence of a great tolerance for not-knowing. These 2 positions run through Freud’s writings from “The Interpretation of Dreams” (1900b) to “Analysis Terminable and Interminable” (1937a). From the Dora case a line can be drawn to Freud’s metaphor of the bedrock of castration, the unsurpassable barrier to both analytical work and the theory of sex and gender.

U2 - 10.1080/15240657.2017.1349513

DO - 10.1080/15240657.2017.1349513

M3 - Journal article

VL - 18

SP - 201

EP - 211

JO - Studies in Gender and Sexuality

JF - Studies in Gender and Sexuality

SN - 1524-0657

IS - 3

ER -

ID: 183804374