The Transcultural Archive of Contemporary German-Jewish Holocaust-Literature.

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The Transcultural Archive of Contemporary German-Jewish Holocaust-Literature. / Ortner, Jessica.

2016.

Research output: Contribution to conferencePaperResearch

Harvard

Ortner, J 2016, 'The Transcultural Archive of Contemporary German-Jewish Holocaust-Literature.'.

APA

Ortner, J. (2016). The Transcultural Archive of Contemporary German-Jewish Holocaust-Literature..

Vancouver

Ortner J. The Transcultural Archive of Contemporary German-Jewish Holocaust-Literature.. 2016.

Author

Ortner, Jessica. / The Transcultural Archive of Contemporary German-Jewish Holocaust-Literature.

Bibtex

@conference{d5fb09b5719649a3bb797cc84793916e,
title = "The Transcultural Archive of Contemporary German-Jewish Holocaust-Literature.",
abstract = "In this paper, I investigate the transcultural archives that surface in writings of German-Jewish authors who have a background in migration from East to West. In The Generation of Memory (2012), Marianne Hirsch points out an ”archival impulse characteristic of the aesthetic and ethical practices of postmemory that situate themselves in the specific aftermath of historical catastrophe.” By investigating Katja Petrowskaja{\textquoteright}s novel Vielleicht Esther (2014) as well as Vladimir Verlibs novels Schimons Schweigen (2015) and Mein erster M{\"o}rder (2012), I investigate how various national and private archives interrelate in the search for individual identity and thus forge a transcultural representation of Europe{\textquoteright}s traumatic past. ",
author = "Jessica Ortner",
year = "2016",
month = oct,
day = "29",
language = "Dansk",

}

RIS

TY - CONF

T1 - The Transcultural Archive of Contemporary German-Jewish Holocaust-Literature.

AU - Ortner, Jessica

PY - 2016/10/29

Y1 - 2016/10/29

N2 - In this paper, I investigate the transcultural archives that surface in writings of German-Jewish authors who have a background in migration from East to West. In The Generation of Memory (2012), Marianne Hirsch points out an ”archival impulse characteristic of the aesthetic and ethical practices of postmemory that situate themselves in the specific aftermath of historical catastrophe.” By investigating Katja Petrowskaja’s novel Vielleicht Esther (2014) as well as Vladimir Verlibs novels Schimons Schweigen (2015) and Mein erster Mörder (2012), I investigate how various national and private archives interrelate in the search for individual identity and thus forge a transcultural representation of Europe’s traumatic past.

AB - In this paper, I investigate the transcultural archives that surface in writings of German-Jewish authors who have a background in migration from East to West. In The Generation of Memory (2012), Marianne Hirsch points out an ”archival impulse characteristic of the aesthetic and ethical practices of postmemory that situate themselves in the specific aftermath of historical catastrophe.” By investigating Katja Petrowskaja’s novel Vielleicht Esther (2014) as well as Vladimir Verlibs novels Schimons Schweigen (2015) and Mein erster Mörder (2012), I investigate how various national and private archives interrelate in the search for individual identity and thus forge a transcultural representation of Europe’s traumatic past.

M3 - Paper

ER -

ID: 176851243