Omissions, Blanks, and Silences

Forskning

Omissions, Blanks, and Silences: Reading Shakespeare's Sonnet 126

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Standard

Omissions, Blanks, and Silences : Reading Shakespeare's Sonnet 126. / Henriksen, Anni Haahr.

Symbolism: An International Annual of Critical Aesthetics. Bind 22 Mouton de Gruyter, 2022. s. 49-65.

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Harvard

Henriksen, AH 2022, Omissions, Blanks, and Silences: Reading Shakespeare's Sonnet 126. i Symbolism: An International Annual of Critical Aesthetics. bind 22, Mouton de Gruyter, s. 49-65. https://doi.org/10.1515/9783110775884-004

APA

Henriksen, A. H. (2022). Omissions, Blanks, and Silences: Reading Shakespeare's Sonnet 126. I Symbolism: An International Annual of Critical Aesthetics (Bind 22, s. 49-65). Mouton de Gruyter. https://doi.org/10.1515/9783110775884-004

Vancouver

Henriksen AH. Omissions, Blanks, and Silences: Reading Shakespeare's Sonnet 126. I Symbolism: An International Annual of Critical Aesthetics. Bind 22. Mouton de Gruyter. 2022. s. 49-65 https://doi.org/10.1515/9783110775884-004

Author

Henriksen, Anni Haahr. / Omissions, Blanks, and Silences : Reading Shakespeare's Sonnet 126. Symbolism: An International Annual of Critical Aesthetics. Bind 22 Mouton de Gruyter, 2022. s. 49-65

Bibtex

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title = "Omissions, Blanks, and Silences: Reading Shakespeare's Sonnet 126",

abstract = "The empty couplet in Shakespeare's Sonnet 126 has puzzled readers for centuries. This essay begins by tracing the history of the sonnet's final couplet in editions from the seventeenth to the twenty-first century, giving an overview of the various reasons for its omission and inclusion. Despite the recent turn in scholarship on the empty couplet, the enigmatic parentheses continue to be omitted and their Quarto form questioned. A recurrent argument is that the poem seems thematically and syntactically complete within its twelve lines, ending in a full stop. This essay, however, explores what happens if we remove the full stop in line twelve and accept the empty couplet as an integral part of the Sonnet's structure. The result is a cascade of effects: as the verb {"}render{"} is allowed to spill over into the next line it takes on the blank silence in the empty couplet as its complement and the two italicized words Audite and Quietus in lines eleven to twelve emerge as complementary agents in a sonorous landscape.",

author = "Henriksen, {Anni Haahr}",

note = "Publisher Copyright: {\textcopyright} 2022 Walter de Gruyter GmbH, Berlin/Boston.",

year = "2022",

doi = "10.1515/9783110775884-004",

language = "English",

isbn = "9783110775853",

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RIS

TY - CHAP

T1 - Omissions, Blanks, and Silences

T2 - Reading Shakespeare's Sonnet 126

AU - Henriksen, Anni Haahr

PY - 2022

Y1 - 2022

N2 - The empty couplet in Shakespeare's Sonnet 126 has puzzled readers for centuries. This essay begins by tracing the history of the sonnet's final couplet in editions from the seventeenth to the twenty-first century, giving an overview of the various reasons for its omission and inclusion. Despite the recent turn in scholarship on the empty couplet, the enigmatic parentheses continue to be omitted and their Quarto form questioned. A recurrent argument is that the poem seems thematically and syntactically complete within its twelve lines, ending in a full stop. This essay, however, explores what happens if we remove the full stop in line twelve and accept the empty couplet as an integral part of the Sonnet's structure. The result is a cascade of effects: as the verb "render" is allowed to spill over into the next line it takes on the blank silence in the empty couplet as its complement and the two italicized words Audite and Quietus in lines eleven to twelve emerge as complementary agents in a sonorous landscape.

AB - The empty couplet in Shakespeare's Sonnet 126 has puzzled readers for centuries. This essay begins by tracing the history of the sonnet's final couplet in editions from the seventeenth to the twenty-first century, giving an overview of the various reasons for its omission and inclusion. Despite the recent turn in scholarship on the empty couplet, the enigmatic parentheses continue to be omitted and their Quarto form questioned. A recurrent argument is that the poem seems thematically and syntactically complete within its twelve lines, ending in a full stop. This essay, however, explores what happens if we remove the full stop in line twelve and accept the empty couplet as an integral part of the Sonnet's structure. The result is a cascade of effects: as the verb "render" is allowed to spill over into the next line it takes on the blank silence in the empty couplet as its complement and the two italicized words Audite and Quietus in lines eleven to twelve emerge as complementary agents in a sonorous landscape.

U2 - 10.1515/9783110775884-004

DO - 10.1515/9783110775884-004

M3 - Book chapter

AN - SCOPUS:85145831222

SN - 9783110775853

VL - 22

SP - 49

EP - 65

BT - Symbolism

PB - Mouton de Gruyter

ER -

ID: 346952812