Non-site welfare landscapes on-site: curated displays of transformed social housing estates
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Non-site welfare landscapes on-site : curated displays of transformed social housing estates. / Braae, Ellen.
I: Landscape Research, Bind 46, Nr. 4, 2021, s. 542-557.Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
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TY - JOUR
T1 - Non-site welfare landscapes on-site
T2 - curated displays of transformed social housing estates
AU - Braae, Ellen
N1 - Publisher Copyright: © 2020 Landscape Research Group Ltd.
PY - 2021
Y1 - 2021
N2 - Exhibitions are anything but a neutral; they may affect the ‘reality’ they mirror. As such the exhibition is an ongoing, open product of research that is always researching research itself, but that is also affected by and affecting politicised agendas. This article focus on the large open spaces—the welfare landscapes—of the Danish 1970s social housing estate, Gellerup and Toveshøj, currently subject to ‘radical’ transformation and displayed in its most crucial location, i.e. the site itself. I reflect on the culture of display when an exhibition is interacting with what it displays providing a theoretical framework drawing on concepts such as Smithson’s site/non-site, the Gesamtkunstwerk—played out in a neoliberal context—and international fairs like the IBA. Moreover, the built and displayed transformations spur reflections on the sliding changes of the welfare concept itself and how that is mirrored in the conducts and ethics of display.
AB - Exhibitions are anything but a neutral; they may affect the ‘reality’ they mirror. As such the exhibition is an ongoing, open product of research that is always researching research itself, but that is also affected by and affecting politicised agendas. This article focus on the large open spaces—the welfare landscapes—of the Danish 1970s social housing estate, Gellerup and Toveshøj, currently subject to ‘radical’ transformation and displayed in its most crucial location, i.e. the site itself. I reflect on the culture of display when an exhibition is interacting with what it displays providing a theoretical framework drawing on concepts such as Smithson’s site/non-site, the Gesamtkunstwerk—played out in a neoliberal context—and international fairs like the IBA. Moreover, the built and displayed transformations spur reflections on the sliding changes of the welfare concept itself and how that is mirrored in the conducts and ethics of display.
KW - apparatus of security
KW - Landscape architecture exhibition
KW - social housing estate
KW - urban transformation
KW - welfare landscape and welfare ideals
U2 - 10.1080/01426397.2020.1808955
DO - 10.1080/01426397.2020.1808955
M3 - Journal article
AN - SCOPUS:85092530239
VL - 46
SP - 542
EP - 557
JO - Landscape Research
JF - Landscape Research
SN - 0142-6397
IS - 4
ER -
ID: 269598443