Friction or Closure: Heritage as Loss
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Friction or Closure : Heritage as Loss. / Lundahl, Mikela.
I: Culture Unbound: Journal of Current Cultural Research, Bind 6, Nr. 2014, 2014, s. 1299-1318.Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
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TY - JOUR
T1 - Friction or Closure
T2 - Heritage as Loss
AU - Lundahl, Mikela
PY - 2014
Y1 - 2014
N2 - Heritage is a discourse that aims at closure. It fixates the narrative of the past through the celebration of specific material (or sometimes immaterial non-) ob-jects. It organizes temporality and construct events and freezes time. How does this unfold in the case of the UNESCO World Heritage site of Stone Town, Zan-zibar? It is a place of beauty and violence, of trade, slavery and tourism, and the World Heritage narrative does not accommodate all its significant historical facts and lived memories. In this article I will discuss some of these conflicting or competing historical facts.The anthropologist Anna Tsing has developed the concept-metaphor friction as a way to discuss the energy created when various actors narrate “the same” event(s) in different ways, and see the other participants’ accounts as fantasies or even fabrications. I will use my position as researcher and my relations to differ-ent sources: informants, authorities and texts, and discuss how different accounts relate to and partly construct each other; and how I, in my own process as an ana-lyst and listener, negotiate these conflicting stories, what I identify as valid and non valid accounts. The case in this article is Stone Town in Zanzibar and the de-velopment and dissolution going on under the shadow of the UNESCO World Heritage flag; a growing tourism; a global and local increase in islamisation; and the political tension within the Tanzanian union. My main focus is narratives of the identity of Zanzibar since heritagization constructs identity.
AB - Heritage is a discourse that aims at closure. It fixates the narrative of the past through the celebration of specific material (or sometimes immaterial non-) ob-jects. It organizes temporality and construct events and freezes time. How does this unfold in the case of the UNESCO World Heritage site of Stone Town, Zan-zibar? It is a place of beauty and violence, of trade, slavery and tourism, and the World Heritage narrative does not accommodate all its significant historical facts and lived memories. In this article I will discuss some of these conflicting or competing historical facts.The anthropologist Anna Tsing has developed the concept-metaphor friction as a way to discuss the energy created when various actors narrate “the same” event(s) in different ways, and see the other participants’ accounts as fantasies or even fabrications. I will use my position as researcher and my relations to differ-ent sources: informants, authorities and texts, and discuss how different accounts relate to and partly construct each other; and how I, in my own process as an ana-lyst and listener, negotiate these conflicting stories, what I identify as valid and non valid accounts. The case in this article is Stone Town in Zanzibar and the de-velopment and dissolution going on under the shadow of the UNESCO World Heritage flag; a growing tourism; a global and local increase in islamisation; and the political tension within the Tanzanian union. My main focus is narratives of the identity of Zanzibar since heritagization constructs identity.
M3 - Journal article
VL - 6
SP - 1299
EP - 1318
JO - Culture Unbound
JF - Culture Unbound
SN - 2000-1525
IS - 2014
ER -
ID: 136769310