Ebb and Flow: Ebb and Flow. Breath-writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning

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Ebb and Flow : Ebb and Flow. Breath-writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg. / Heine, Stefanie.

Reading Breath in Literature. red. / Arthur Rose; Stefanie Heine; Naya Tsentourou; Corinne Saunders; Peter Garratt. Palgrave Macmillan, 2019. s. 91-112.

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning

Harvard

Heine, S 2019, Ebb and Flow: Ebb and Flow. Breath-writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg. i A Rose, S Heine, N Tsentourou, C Saunders & P Garratt (red), Reading Breath in Literature. Palgrave Macmillan, s. 91-112. https://doi.org/10.1007/978-3-319-99948-7_5

APA

Heine, S. (2019). Ebb and Flow: Ebb and Flow. Breath-writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg. I A. Rose, S. Heine, N. Tsentourou, C. Saunders, & P. Garratt (red.), Reading Breath in Literature (s. 91-112). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-99948-7_5

Vancouver

Heine S. Ebb and Flow: Ebb and Flow. Breath-writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg. I Rose A, Heine S, Tsentourou N, Saunders C, Garratt P, red., Reading Breath in Literature. Palgrave Macmillan. 2019. s. 91-112 https://doi.org/10.1007/978-3-319-99948-7_5

Author

Heine, Stefanie. / Ebb and Flow : Ebb and Flow. Breath-writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg. Reading Breath in Literature. red. / Arthur Rose ; Stefanie Heine ; Naya Tsentourou ; Corinne Saunders ; Peter Garratt. Palgrave Macmillan, 2019. s. 91-112

Bibtex

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title = "Ebb and Flow: Ebb and Flow. Breath-writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg",
abstract = "Following the path of Charles Olson, Jack Kerouac and Allen Ginsberg negotiate breath as a compositional principle for a new particularly American literature. Such a poetics of breathing turns out to be a revival of classical thought. For ancient rhetoricians, especially Aristotle, Cicero and Quintilian, the breath-pause is constitutive for structuring speech. Already in the ancient approaches, a dilemma emerges: breathing is supposed to cut speech into well-measured units while physical respiration tends to be irregular. Even though the Beat poets seem to elude this problem in their attempt to adapt composition to the writer{\textquoteright}s individual rhythms, breath, as they theorise it, is a point where bodily processes and cultural techniques intersect. The natural, organic body as Kerouac and Ginsberg celebrate it invokes a cultural memory, and thus, the idea of a purely embodied writing is upset.",
author = "Stefanie Heine",
year = "2019",
doi = "https://doi.org/10.1007/978-3-319-99948-7_5",
language = "English",
pages = "91--112",
editor = "Arthur Rose and Stefanie Heine and Naya Tsentourou and Corinne Saunders and Peter Garratt",
booktitle = "Reading Breath in Literature",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

}

RIS

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T1 - Ebb and Flow

T2 - Ebb and Flow. Breath-writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg

AU - Heine, Stefanie

PY - 2019

Y1 - 2019

N2 - Following the path of Charles Olson, Jack Kerouac and Allen Ginsberg negotiate breath as a compositional principle for a new particularly American literature. Such a poetics of breathing turns out to be a revival of classical thought. For ancient rhetoricians, especially Aristotle, Cicero and Quintilian, the breath-pause is constitutive for structuring speech. Already in the ancient approaches, a dilemma emerges: breathing is supposed to cut speech into well-measured units while physical respiration tends to be irregular. Even though the Beat poets seem to elude this problem in their attempt to adapt composition to the writer’s individual rhythms, breath, as they theorise it, is a point where bodily processes and cultural techniques intersect. The natural, organic body as Kerouac and Ginsberg celebrate it invokes a cultural memory, and thus, the idea of a purely embodied writing is upset.

AB - Following the path of Charles Olson, Jack Kerouac and Allen Ginsberg negotiate breath as a compositional principle for a new particularly American literature. Such a poetics of breathing turns out to be a revival of classical thought. For ancient rhetoricians, especially Aristotle, Cicero and Quintilian, the breath-pause is constitutive for structuring speech. Already in the ancient approaches, a dilemma emerges: breathing is supposed to cut speech into well-measured units while physical respiration tends to be irregular. Even though the Beat poets seem to elude this problem in their attempt to adapt composition to the writer’s individual rhythms, breath, as they theorise it, is a point where bodily processes and cultural techniques intersect. The natural, organic body as Kerouac and Ginsberg celebrate it invokes a cultural memory, and thus, the idea of a purely embodied writing is upset.

U2 - https://doi.org/10.1007/978-3-319-99948-7_5

DO - https://doi.org/10.1007/978-3-319-99948-7_5

M3 - Book chapter

SP - 91

EP - 112

BT - Reading Breath in Literature

A2 - Rose, Arthur

A2 - Heine, Stefanie

A2 - Tsentourou, Naya

A2 - Saunders, Corinne

A2 - Garratt, Peter

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ER -

ID: 286247920