Dinh Q Lê, Photographing the Thread of Memory: Dinh Q Lê, Photographing the Thread of Memory, Musee du quai Branly – Jacques Chirac, 37 Quai Jacques Chirac, 75007 Paris, France, February 8–November 20, 2022
Publikation: Bidrag til tidsskrift › Anmeldelse › Forskning › fagfællebedømt
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Dinh Q Lê, Photographing the Thread of Memory : Dinh Q Lê, Photographing the Thread of Memory, Musee du quai Branly – Jacques Chirac, 37 Quai Jacques Chirac, 75007 Paris, France, February 8–November 20, 2022. / Berthon, Magali-An.
I: Textile Cloth and Culture, Bind 22, Nr. 1, 2023, s. 174-179.Publikation: Bidrag til tidsskrift › Anmeldelse › Forskning › fagfællebedømt
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TY - JOUR
T1 - Dinh Q Lê, Photographing the Thread of Memory
T2 - Dinh Q Lê, Photographing the Thread of Memory, Musee du quai Branly – Jacques Chirac, 37 Quai Jacques Chirac, 75007 Paris, France, February 8–November 20, 2022
AU - Berthon, Magali-An
N1 - Berthon, M. A. (2024). Dinh Q Lê, Photographing the Thread of Memory: Dinh Q Lê, Photographing the Thread of Memory, Musee du quai Branly – Jacques Chirac, 37 Quai Jacques Chirac, 75007 Paris, France, February 8–November 20, 2022. TEXTILE, 22(1), 174–179. https://doi.org/10.1080/14759756.2023.2171832
PY - 2023
Y1 - 2023
N2 - Exhibition review:Dinh Q Lê: on textility, weaving and unravellingAbstract: From a life marked by disruption and displacement, Vietnamese-American artist Dinh Q Lê has crafted a distinctive aesthetic revolving aroundvisual and metaphorical juxtapositions, using photography as his main materialand conceptual resource. Born in Vietnam in 1968, he moved to the United Statesin the 1980s, only settling back in Vietnam in the mid-1990s. This exhibitionreview examines the textile quality and “textility” of his work, in Tim Ingold’swords, especially in the processes engaged in his monumental photo weavings.Inspired by mat weaving, Lê develops a new visual and semiological language byinterlacing two different photographic prints cut into strips. The selection oftwenty artworks exemplifies Lê’s relentless fascination for Cambodia andVietnam’s histories of conflict, complexities and memorialization.
AB - Exhibition review:Dinh Q Lê: on textility, weaving and unravellingAbstract: From a life marked by disruption and displacement, Vietnamese-American artist Dinh Q Lê has crafted a distinctive aesthetic revolving aroundvisual and metaphorical juxtapositions, using photography as his main materialand conceptual resource. Born in Vietnam in 1968, he moved to the United Statesin the 1980s, only settling back in Vietnam in the mid-1990s. This exhibitionreview examines the textile quality and “textility” of his work, in Tim Ingold’swords, especially in the processes engaged in his monumental photo weavings.Inspired by mat weaving, Lê develops a new visual and semiological language byinterlacing two different photographic prints cut into strips. The selection oftwenty artworks exemplifies Lê’s relentless fascination for Cambodia andVietnam’s histories of conflict, complexities and memorialization.
U2 - 10.1080/14759756.2023.2171832
DO - 10.1080/14759756.2023.2171832
M3 - Literature review
VL - 22
SP - 174
EP - 179
JO - Textile Cloth and Culture
JF - Textile Cloth and Culture
IS - 1
ER -
ID: 392923839