Ambient Space and Ambient Sensation

Publikation: Konferencebidrag › Paper › Forskning

Standard

Ambient Space and Ambient Sensation. / Schmidt, Ulrik.

2012. Paper præsenteret ved Urbanity, Sound, and Art, København, Danmark.

Publikation: Konferencebidrag › Paper › Forskning

Harvard

Schmidt, U 2012, 'Ambient Space and Ambient Sensation', Paper fremlagt ved Urbanity, Sound, and Art, København, Danmark, 06/09/2012 - 06/09/2012.

APA

Schmidt, U. (2012). Ambient Space and Ambient Sensation. Paper præsenteret ved Urbanity, Sound, and Art, København, Danmark.

Vancouver

Schmidt U. Ambient Space and Ambient Sensation. 2012. Paper præsenteret ved Urbanity, Sound, and Art, København, Danmark.

Author

Schmidt, Ulrik. / Ambient Space and Ambient Sensation. Paper præsenteret ved Urbanity, Sound, and Art, København, Danmark.8 s.

Bibtex

@conference{37c21882c19548ea96c10ade393e950f,
title = "Ambient Space and Ambient Sensation",
abstract = "The ambient is the aesthetic production of the sensation of being surrounded. As a concept, 'ambient' is mostly used in relation to the music genre 'ambient music' and Brian Eno's idea of environmental background music. However, the production of ambient sensations must be regarded as a central aspect of the aesthetization of modern culture in general, from architecture, transport and urbanized lifeforms to film, sound art, installation art and digital environments. This presentation will discuss the key aspects of ambient aesthetization, including issues such as objectlessness, dehierarchization, ubiquity and the production of unfocused sensations in contrast to the conventional notion of the aesthetic experience as a focused contemplation of a stationary object.",
author = "Ulrik Schmidt",
year = "2012",
month = sep,
day = "6",
language = "English",
note = "null ; Conference date: 06-09-2012 Through 06-09-2012",

}

RIS

TY - CONF

T1 - Ambient Space and Ambient Sensation

AU - Schmidt, Ulrik

PY - 2012/9/6

Y1 - 2012/9/6

N2 - The ambient is the aesthetic production of the sensation of being surrounded. As a concept, 'ambient' is mostly used in relation to the music genre 'ambient music' and Brian Eno's idea of environmental background music. However, the production of ambient sensations must be regarded as a central aspect of the aesthetization of modern culture in general, from architecture, transport and urbanized lifeforms to film, sound art, installation art and digital environments. This presentation will discuss the key aspects of ambient aesthetization, including issues such as objectlessness, dehierarchization, ubiquity and the production of unfocused sensations in contrast to the conventional notion of the aesthetic experience as a focused contemplation of a stationary object.

AB - The ambient is the aesthetic production of the sensation of being surrounded. As a concept, 'ambient' is mostly used in relation to the music genre 'ambient music' and Brian Eno's idea of environmental background music. However, the production of ambient sensations must be regarded as a central aspect of the aesthetization of modern culture in general, from architecture, transport and urbanized lifeforms to film, sound art, installation art and digital environments. This presentation will discuss the key aspects of ambient aesthetization, including issues such as objectlessness, dehierarchization, ubiquity and the production of unfocused sensations in contrast to the conventional notion of the aesthetic experience as a focused contemplation of a stationary object.

M3 - Paper

Y2 - 6 September 2012 through 6 September 2012

ER -

ID: 41927971