Threads of Evidence: Textile and Clothing Remains at Tuol Sleng

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Standard

Threads of Evidence : Textile and Clothing Remains at Tuol Sleng. / Berthon, Magali-An; Brennan, Julia.

Tuol Sleng Genocide Museum: A Multifaceted History of Khmer Rouge Crimes. ed. / Anne-Laure Porée; Stéphanie Benzaquen-Gautier. Brill, 2024. p. 163–178 (Southeast Asian Library, Vol. 13).

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Harvard

Berthon, M-A & Brennan, J 2024, Threads of Evidence: Textile and Clothing Remains at Tuol Sleng. in A-L Porée & S Benzaquen-Gautier (eds), Tuol Sleng Genocide Museum: A Multifaceted History of Khmer Rouge Crimes. Brill, Southeast Asian Library, vol. 13, pp. 163–178. https://doi.org/10.1163/9789004536890_011

APA

Berthon, M-A., & Brennan, J. (2024). Threads of Evidence: Textile and Clothing Remains at Tuol Sleng. In A-L. Porée, & S. Benzaquen-Gautier (Eds.), Tuol Sleng Genocide Museum: A Multifaceted History of Khmer Rouge Crimes (pp. 163–178). Brill. Southeast Asian Library Vol. 13 https://doi.org/10.1163/9789004536890_011

Vancouver

Berthon M-A, Brennan J. Threads of Evidence: Textile and Clothing Remains at Tuol Sleng. In Porée A-L, Benzaquen-Gautier S, editors, Tuol Sleng Genocide Museum: A Multifaceted History of Khmer Rouge Crimes. Brill. 2024. p. 163–178. (Southeast Asian Library, Vol. 13). https://doi.org/10.1163/9789004536890_011

Author

Berthon, Magali-An ; Brennan, Julia. / Threads of Evidence : Textile and Clothing Remains at Tuol Sleng. Tuol Sleng Genocide Museum: A Multifaceted History of Khmer Rouge Crimes. editor / Anne-Laure Porée ; Stéphanie Benzaquen-Gautier. Brill, 2024. pp. 163–178 (Southeast Asian Library, Vol. 13).

Bibtex

@inbook{7ca10a0289c64e3a8ad8e95297270de4,
title = "Threads of Evidence: Textile and Clothing Remains at Tuol Sleng",
abstract = "From the black peasant uniforms of the Khmer Rouge to the clothes worn by prisoners entering the S-21 prison, textiles have been an overlooked aspect of Cambodia{\textquoteright}s material culture of the late 1970s. At the Tuol Sleng Genocide Museum (TSGM), textile fragments, garments, and other objects had been abandoned for decades. In 2017, with the support from the US Embassy Ambassadors Fund for Cultural Preservation, American textile conservator Julia Brennan devised a unique mass-treatment protocol and training specific to both the climate and the nature of genocide artifacts, working with the in-house conservation team. Approximately 3,000 pieces of clothing were inventoried, photographed, conserved, and stored in a climate-controlled system. Combining a historical and material perspective, this chapter describes how Khmer Rouge politics redefined the clothing worn by Cambodians in the 1970s and how the TSGM{\textquoteright}s collection reflects those political effects. It outlines the specific challenges of preserving this archive in terms of ethics, protocol, and training. Finally, it examines how defining this collection as a {\textquoteleft}textile archive{\textquoteright} brings this realm of materials in immediate dialogue with the TSGM paper and photographic archive, to inform the individual and collective stories of S.21{\textquoteright}s victims.",
author = "Magali-An Berthon and Julia Brennan",
year = "2024",
doi = "10.1163/9789004536890_011",
language = "English",
isbn = "9789004536883",
series = "Southeast Asian Library",
publisher = "Brill",
pages = "163–178",
editor = "Anne-Laure Por{\'e}e and St{\'e}phanie Benzaquen-Gautier",
booktitle = "Tuol Sleng Genocide Museum",
address = "Netherlands",

}

RIS

TY - CHAP

T1 - Threads of Evidence

T2 - Textile and Clothing Remains at Tuol Sleng

AU - Berthon, Magali-An

AU - Brennan, Julia

PY - 2024

Y1 - 2024

N2 - From the black peasant uniforms of the Khmer Rouge to the clothes worn by prisoners entering the S-21 prison, textiles have been an overlooked aspect of Cambodia’s material culture of the late 1970s. At the Tuol Sleng Genocide Museum (TSGM), textile fragments, garments, and other objects had been abandoned for decades. In 2017, with the support from the US Embassy Ambassadors Fund for Cultural Preservation, American textile conservator Julia Brennan devised a unique mass-treatment protocol and training specific to both the climate and the nature of genocide artifacts, working with the in-house conservation team. Approximately 3,000 pieces of clothing were inventoried, photographed, conserved, and stored in a climate-controlled system. Combining a historical and material perspective, this chapter describes how Khmer Rouge politics redefined the clothing worn by Cambodians in the 1970s and how the TSGM’s collection reflects those political effects. It outlines the specific challenges of preserving this archive in terms of ethics, protocol, and training. Finally, it examines how defining this collection as a ‘textile archive’ brings this realm of materials in immediate dialogue with the TSGM paper and photographic archive, to inform the individual and collective stories of S.21’s victims.

AB - From the black peasant uniforms of the Khmer Rouge to the clothes worn by prisoners entering the S-21 prison, textiles have been an overlooked aspect of Cambodia’s material culture of the late 1970s. At the Tuol Sleng Genocide Museum (TSGM), textile fragments, garments, and other objects had been abandoned for decades. In 2017, with the support from the US Embassy Ambassadors Fund for Cultural Preservation, American textile conservator Julia Brennan devised a unique mass-treatment protocol and training specific to both the climate and the nature of genocide artifacts, working with the in-house conservation team. Approximately 3,000 pieces of clothing were inventoried, photographed, conserved, and stored in a climate-controlled system. Combining a historical and material perspective, this chapter describes how Khmer Rouge politics redefined the clothing worn by Cambodians in the 1970s and how the TSGM’s collection reflects those political effects. It outlines the specific challenges of preserving this archive in terms of ethics, protocol, and training. Finally, it examines how defining this collection as a ‘textile archive’ brings this realm of materials in immediate dialogue with the TSGM paper and photographic archive, to inform the individual and collective stories of S.21’s victims.

U2 - 10.1163/9789004536890_011

DO - 10.1163/9789004536890_011

M3 - Book chapter

SN - 9789004536883

T3 - Southeast Asian Library

SP - 163

EP - 178

BT - Tuol Sleng Genocide Museum

A2 - Porée, Anne-Laure

A2 - Benzaquen-Gautier, Stéphanie

PB - Brill

ER -

ID: 393089199