Ethics of dust: Visual essay on the artistic works by Jorge Otero-Pailos

Research output: Contribution to journalJournal articleResearchpeer-review

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Ethics of dust : Visual essay on the artistic works by Jorge Otero-Pailos. / Jelić, Andrea; Staničić, Aleksandar; Tvedebrink, Tenna Doktor Olsen; De Matteis, Federico; Hirschbichler, Michael; Popić, Jovana; De Piedade Ferreira, Maria; Pottgiesser, Uta; Weisen, Marcus; Wagoner, Brady; Otero-pailos, Jorge.

In: Journal of Architecture, Vol. 27, No. 4, 19.05.2022, p. 616-634.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Jelić, A, Staničić, A, Tvedebrink, TDO, De Matteis, F, Hirschbichler, M, Popić, J, De Piedade Ferreira, M, Pottgiesser, U, Weisen, M, Wagoner, B & Otero-pailos, J 2022, 'Ethics of dust: Visual essay on the artistic works by Jorge Otero-Pailos', Journal of Architecture, vol. 27, no. 4, pp. 616-634. https://doi.org/10.1080/13602365.2022.2133801

APA

Jelić, A., Staničić, A., Tvedebrink, T. D. O., De Matteis, F., Hirschbichler, M., Popić, J., De Piedade Ferreira, M., Pottgiesser, U., Weisen, M., Wagoner, B., & Otero-pailos, J. (2022). Ethics of dust: Visual essay on the artistic works by Jorge Otero-Pailos. Journal of Architecture, 27(4), 616-634. https://doi.org/10.1080/13602365.2022.2133801

Vancouver

Jelić A, Staničić A, Tvedebrink TDO, De Matteis F, Hirschbichler M, Popić J et al. Ethics of dust: Visual essay on the artistic works by Jorge Otero-Pailos. Journal of Architecture. 2022 May 19;27(4):616-634. https://doi.org/10.1080/13602365.2022.2133801

Author

Jelić, Andrea ; Staničić, Aleksandar ; Tvedebrink, Tenna Doktor Olsen ; De Matteis, Federico ; Hirschbichler, Michael ; Popić, Jovana ; De Piedade Ferreira, Maria ; Pottgiesser, Uta ; Weisen, Marcus ; Wagoner, Brady ; Otero-pailos, Jorge. / Ethics of dust : Visual essay on the artistic works by Jorge Otero-Pailos. In: Journal of Architecture. 2022 ; Vol. 27, No. 4. pp. 616-634.

Bibtex

@article{27fb9a8c1a9c478fa80a680757dc3c7c,
title = "Ethics of dust: Visual essay on the artistic works by Jorge Otero-Pailos",
abstract = "The works of artist and preservation architect Jorge Otero-Pailos on experimental preservation provoke deep reflections about some of the fundamental questions dealing with heritage: temporality of objects, changeability of inscribed cultural values, the greater purpose of architectural preservation as a cultural practice, and the societal role of an architect and preservationist in formulating narratives around heritage. As the artistic installations featured in this visual essay — The Ethics of Dust (2014–2016) and Watershed Moment (2020) — demonstrate, Jorge Otero-Pailos combines various elusive elements, such as water sounds and dust, to conceive meditative and contemplative spaces. His installations invite visitors to pause and reflect on the memories, both personal, social, and environmental, that define each of us; they probe deep into the past and deep into the future.Since these are some of the issues we wanted to explore in this special issue, {\textquoteleft}Embodiment and Meaning-making: Interdisciplinary Perspectives on Heritage Architecture{\textquoteright}, we invited various artists and scholars to write a very short caption in reaction to the images provided by the author through one of these three {\textquoteleft}lenses{\textquoteright}: affect, embodied experience, atmosphere; politics of heritage; processes of meaning-making.The results reveal the power of images to provoke imagination through atmospheric and embodied experiences, and the power of experimental heritage work to convey (political) meaning across distance and different analogue or digital media.This visual essay includes contributions from (in order of appearance): Tenna Doktor Olsen Tvedebrink, Federico De Matteis, Michael Hirschbichler, Jovana Popi{\'c}, Maria De Piedade Ferreira, Uta Pottgiesser, Marcus Weisen and Brady Wagoner, with an epilogue from Jorge Otero-Pailos.",
author = "Andrea Jeli{\'c} and Aleksandar Stani{\v c}i{\'c} and Tvedebrink, {Tenna Doktor Olsen} and {De Matteis}, Federico and Michael Hirschbichler and Jovana Popi{\'c} and {De Piedade Ferreira}, Maria and Uta Pottgiesser and Marcus Weisen and Brady Wagoner and Jorge Otero-pailos",
year = "2022",
month = may,
day = "19",
doi = "10.1080/13602365.2022.2133801",
language = "English",
volume = "27",
pages = "616--634",
journal = "Journal of Architecture",
issn = "1360-2365",
publisher = "Routledge",
number = "4",

}

RIS

TY - JOUR

T1 - Ethics of dust

T2 - Visual essay on the artistic works by Jorge Otero-Pailos

AU - Jelić, Andrea

AU - Staničić, Aleksandar

AU - Tvedebrink, Tenna Doktor Olsen

AU - De Matteis, Federico

AU - Hirschbichler, Michael

AU - Popić, Jovana

AU - De Piedade Ferreira, Maria

AU - Pottgiesser, Uta

AU - Weisen, Marcus

AU - Wagoner, Brady

AU - Otero-pailos, Jorge

PY - 2022/5/19

Y1 - 2022/5/19

N2 - The works of artist and preservation architect Jorge Otero-Pailos on experimental preservation provoke deep reflections about some of the fundamental questions dealing with heritage: temporality of objects, changeability of inscribed cultural values, the greater purpose of architectural preservation as a cultural practice, and the societal role of an architect and preservationist in formulating narratives around heritage. As the artistic installations featured in this visual essay — The Ethics of Dust (2014–2016) and Watershed Moment (2020) — demonstrate, Jorge Otero-Pailos combines various elusive elements, such as water sounds and dust, to conceive meditative and contemplative spaces. His installations invite visitors to pause and reflect on the memories, both personal, social, and environmental, that define each of us; they probe deep into the past and deep into the future.Since these are some of the issues we wanted to explore in this special issue, ‘Embodiment and Meaning-making: Interdisciplinary Perspectives on Heritage Architecture’, we invited various artists and scholars to write a very short caption in reaction to the images provided by the author through one of these three ‘lenses’: affect, embodied experience, atmosphere; politics of heritage; processes of meaning-making.The results reveal the power of images to provoke imagination through atmospheric and embodied experiences, and the power of experimental heritage work to convey (political) meaning across distance and different analogue or digital media.This visual essay includes contributions from (in order of appearance): Tenna Doktor Olsen Tvedebrink, Federico De Matteis, Michael Hirschbichler, Jovana Popić, Maria De Piedade Ferreira, Uta Pottgiesser, Marcus Weisen and Brady Wagoner, with an epilogue from Jorge Otero-Pailos.

AB - The works of artist and preservation architect Jorge Otero-Pailos on experimental preservation provoke deep reflections about some of the fundamental questions dealing with heritage: temporality of objects, changeability of inscribed cultural values, the greater purpose of architectural preservation as a cultural practice, and the societal role of an architect and preservationist in formulating narratives around heritage. As the artistic installations featured in this visual essay — The Ethics of Dust (2014–2016) and Watershed Moment (2020) — demonstrate, Jorge Otero-Pailos combines various elusive elements, such as water sounds and dust, to conceive meditative and contemplative spaces. His installations invite visitors to pause and reflect on the memories, both personal, social, and environmental, that define each of us; they probe deep into the past and deep into the future.Since these are some of the issues we wanted to explore in this special issue, ‘Embodiment and Meaning-making: Interdisciplinary Perspectives on Heritage Architecture’, we invited various artists and scholars to write a very short caption in reaction to the images provided by the author through one of these three ‘lenses’: affect, embodied experience, atmosphere; politics of heritage; processes of meaning-making.The results reveal the power of images to provoke imagination through atmospheric and embodied experiences, and the power of experimental heritage work to convey (political) meaning across distance and different analogue or digital media.This visual essay includes contributions from (in order of appearance): Tenna Doktor Olsen Tvedebrink, Federico De Matteis, Michael Hirschbichler, Jovana Popić, Maria De Piedade Ferreira, Uta Pottgiesser, Marcus Weisen and Brady Wagoner, with an epilogue from Jorge Otero-Pailos.

U2 - 10.1080/13602365.2022.2133801

DO - 10.1080/13602365.2022.2133801

M3 - Journal article

VL - 27

SP - 616

EP - 634

JO - Journal of Architecture

JF - Journal of Architecture

SN - 1360-2365

IS - 4

ER -

ID: 332699600