Zu Status und Ambiguität in der Geneleos-Gruppe aus Samos

Publikation: Bidrag til bog/antologi/rapportKonferencebidrag i proceedingsForskning

Standard

Zu Status und Ambiguität in der Geneleos-Gruppe aus Samos. / Filser, Wolfgang Thomas Gerhard.

Mehrdeutigkeiten: Rahmentheorien und Affordanzkonzepte in der archäologischen Bildwissenschaft. red. / Elisabeth Günther; Johanna Fabricius. Wiesbaden : Harrassowitz Verlag, 2021. s. 185-204.

Publikation: Bidrag til bog/antologi/rapportKonferencebidrag i proceedingsForskning

Harvard

Filser, WTG 2021, Zu Status und Ambiguität in der Geneleos-Gruppe aus Samos. i E Günther & J Fabricius (red), Mehrdeutigkeiten: Rahmentheorien und Affordanzkonzepte in der archäologischen Bildwissenschaft. Harrassowitz Verlag, Wiesbaden, s. 185-204.

APA

Filser, W. T. G. (2021). Zu Status und Ambiguität in der Geneleos-Gruppe aus Samos. I E. Günther, & J. Fabricius (red.), Mehrdeutigkeiten: Rahmentheorien und Affordanzkonzepte in der archäologischen Bildwissenschaft (s. 185-204). Harrassowitz Verlag.

Vancouver

Filser WTG. Zu Status und Ambiguität in der Geneleos-Gruppe aus Samos. I Günther E, Fabricius J, red., Mehrdeutigkeiten: Rahmentheorien und Affordanzkonzepte in der archäologischen Bildwissenschaft. Wiesbaden: Harrassowitz Verlag. 2021. s. 185-204

Author

Filser, Wolfgang Thomas Gerhard. / Zu Status und Ambiguität in der Geneleos-Gruppe aus Samos. Mehrdeutigkeiten: Rahmentheorien und Affordanzkonzepte in der archäologischen Bildwissenschaft. red. / Elisabeth Günther ; Johanna Fabricius. Wiesbaden : Harrassowitz Verlag, 2021. s. 185-204

Bibtex

@inproceedings{6936dba0a3e64978af5e0551da59dabb,
title = "Zu Status und Ambiguit{\"a}t in der Geneleos-Gruppe aus Samos",
abstract = "An archaic dedication from Samos known as the Geneleos Group is considered by scholars to be one of the first family dedications in Greek art, or, to be more precise, the first archaeological record showing an elite family in form of life size round sculpture in a sanctuary. Furthermore, it is one of very few archaic sculptures attributable to a certain artist: Geneleos. It is generally assumed that the persons shown are part of a family extending over two generations with the iconography highlighting the different social role models of its members: mother, father, son, and daughters. In this paper, I will try to question this common reading by proposing alternatives, triggered by the ambiguous iconography of the figures and by the placement of the inscriptions related to them.",
author = "Filser, {Wolfgang Thomas Gerhard}",
year = "2021",
language = "Tysk",
isbn = "978-3-447-11567-4",
pages = "185--204",
editor = "Elisabeth G{\"u}nther and Fabricius, {Johanna }",
booktitle = "Mehrdeutigkeiten",
publisher = "Harrassowitz Verlag",
address = "Tyskland",

}

RIS

TY - GEN

T1 - Zu Status und Ambiguität in der Geneleos-Gruppe aus Samos

AU - Filser, Wolfgang Thomas Gerhard

PY - 2021

Y1 - 2021

N2 - An archaic dedication from Samos known as the Geneleos Group is considered by scholars to be one of the first family dedications in Greek art, or, to be more precise, the first archaeological record showing an elite family in form of life size round sculpture in a sanctuary. Furthermore, it is one of very few archaic sculptures attributable to a certain artist: Geneleos. It is generally assumed that the persons shown are part of a family extending over two generations with the iconography highlighting the different social role models of its members: mother, father, son, and daughters. In this paper, I will try to question this common reading by proposing alternatives, triggered by the ambiguous iconography of the figures and by the placement of the inscriptions related to them.

AB - An archaic dedication from Samos known as the Geneleos Group is considered by scholars to be one of the first family dedications in Greek art, or, to be more precise, the first archaeological record showing an elite family in form of life size round sculpture in a sanctuary. Furthermore, it is one of very few archaic sculptures attributable to a certain artist: Geneleos. It is generally assumed that the persons shown are part of a family extending over two generations with the iconography highlighting the different social role models of its members: mother, father, son, and daughters. In this paper, I will try to question this common reading by proposing alternatives, triggered by the ambiguous iconography of the figures and by the placement of the inscriptions related to them.

M3 - Konferencebidrag i proceedings

SN - 978-3-447-11567-4

SP - 185

EP - 204

BT - Mehrdeutigkeiten

A2 - Günther, Elisabeth

A2 - Fabricius, Johanna

PB - Harrassowitz Verlag

CY - Wiesbaden

ER -

ID: 323629875