Yet Unborn Realities: Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp

Publikation: Bidrag til tidsskriftKonferenceartikelForskningfagfællebedømt

Standard

Yet Unborn Realities : Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp. / Johannessen, Runa.

I: Paragrana, Bind 25, Nr. 2, 01.12.2016, s. 125-134.

Publikation: Bidrag til tidsskriftKonferenceartikelForskningfagfællebedømt

Harvard

Johannessen, R 2016, 'Yet Unborn Realities: Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp', Paragrana, bind 25, nr. 2, s. 125-134.

APA

Johannessen, R. (2016). Yet Unborn Realities: Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp. Paragrana, 25(2), 125-134.

Vancouver

Johannessen R. Yet Unborn Realities: Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp. Paragrana. 2016 dec. 1;25(2):125-134.

Author

Johannessen, Runa. / Yet Unborn Realities : Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp. I: Paragrana. 2016 ; Bind 25, Nr. 2. s. 125-134.

Bibtex

@inproceedings{dde8e892cd99418398d8f7ea71383c96,
title = "Yet Unborn Realities: Imprints of Possibility in Khaled Jarrar{\textquoteright}s {\textquoteleft}State of Palestine{\textquoteright} Stamp",
abstract = "The scope of this paper is to inquire into a moment of friction between reality and possibility; the present and the future; the actual and the fictional, in a context pertaining to the Israel-Palestine conflict. The point of departure is an artwork by the Palestinian artist Khaled Jarrar. My encounter with his work evoked an aesthetic experience of hesitant uncertainty parallel to particular encounters with a mechanism invoking such uncertainties in real life, namely the passport control",
author = "Runa Johannessen",
year = "2016",
month = dec,
day = "1",
language = "English",
volume = "25",
pages = "125--134",
journal = "Paragrana",
issn = "0938-0116",
publisher = "Walterde Gruyter GmbH",
number = "2",

}

RIS

TY - GEN

T1 - Yet Unborn Realities

T2 - Imprints of Possibility in Khaled Jarrar’s ‘State of Palestine’ Stamp

AU - Johannessen, Runa

PY - 2016/12/1

Y1 - 2016/12/1

N2 - The scope of this paper is to inquire into a moment of friction between reality and possibility; the present and the future; the actual and the fictional, in a context pertaining to the Israel-Palestine conflict. The point of departure is an artwork by the Palestinian artist Khaled Jarrar. My encounter with his work evoked an aesthetic experience of hesitant uncertainty parallel to particular encounters with a mechanism invoking such uncertainties in real life, namely the passport control

AB - The scope of this paper is to inquire into a moment of friction between reality and possibility; the present and the future; the actual and the fictional, in a context pertaining to the Israel-Palestine conflict. The point of departure is an artwork by the Palestinian artist Khaled Jarrar. My encounter with his work evoked an aesthetic experience of hesitant uncertainty parallel to particular encounters with a mechanism invoking such uncertainties in real life, namely the passport control

M3 - Conference article

VL - 25

SP - 125

EP - 134

JO - Paragrana

JF - Paragrana

SN - 0938-0116

IS - 2

ER -

ID: 162325349