Vari, Lindo, Praeneste e Platone. Sulla genesi della grotta d’arte greco-romana

Publikation: Konferencebidrag › Paper › Forskning

Standard

Vari, Lindo, Praeneste e Platone. Sulla genesi della grotta d’arte greco-romana. / Filser, Wolfgang Thomas Gerhard; Di Fraco, Luca (Redaktør).

2022. 345-366 Paper præsenteret ved Le grotte tra Preistoria, età classica e Medioevo
Capri, la Campania, il Mediterraneo.

Publikation: Konferencebidrag › Paper › Forskning

Harvard

Filser, WTG & Di Fraco, L (red.) 2022, 'Vari, Lindo, Praeneste e Platone. Sulla genesi della grotta d’arte greco-romana', Paper fremlagt ved Le grotte tra Preistoria, età classica e Medioevo
Capri, la Campania, il Mediterraneo, 07/10/2021 - 09/10/2021 s. 345-366.

APA

Filser, W. T. G., & Di Fraco, L. (red.) (2022). Vari, Lindo, Praeneste e Platone. Sulla genesi della grotta d’arte greco-romana. 345-366. Paper præsenteret ved Le grotte tra Preistoria, età classica e Medioevo
Capri, la Campania, il Mediterraneo.

Vancouver

Filser WTG, Di Fraco L, (ed.). Vari, Lindo, Praeneste e Platone. Sulla genesi della grotta d’arte greco-romana. 2022. Paper præsenteret ved Le grotte tra Preistoria, età classica e Medioevo
Capri, la Campania, il Mediterraneo.

Author

Filser, Wolfgang Thomas Gerhard ; Di Fraco, Luca (Redaktør). / Vari, Lindo, Praeneste e Platone. Sulla genesi della grotta d’arte greco-romana. Paper præsenteret ved Le grotte tra Preistoria, età classica e Medioevo
Capri, la Campania, il Mediterraneo.22 s.

Bibtex

@conference{95577f8d26004331a6a5c781081c29db,
title = "Vari, Lindo, Praeneste e Platone.: Sulla genesi della grotta d{\textquoteright}arte greco-romana",
abstract = "This contribution seeks to shed light on the mimetic tactics of Hellenistic art closely related to the context of sacred caves. Through the study of examples from Attica, Rhodes, and Praeneste, it emerges that artificial grottos of Hellenistic and Roman periods still clearly bear witness to these roots. Already in some sanctuaries of Pan and the Nymphs exist certain installations which relate images and context – i.e. the cave – in a highly conceptual way. These rural sanctuaries emerge as starting points of a long and vivid tradition. The specific iconography of the cave, which probably originated in Attica in the fourth century BCE, is only one piece of this complex puzzle. At the heart of the art of the grotto lie different mimetic practices which were already being applied in the Hellenistic age in a systematic and often combined manner. The question then arises whether through self-referentiality – established through these divergent mimetic practices – a meditation on the very nature of the image should be provoked.",
author = "Filser, {Wolfgang Thomas Gerhard} and {Di Fraco}, Luca",
year = "2022",
language = "Italiensk",
pages = "345--366",
note = "null ; Conference date: 07-10-2021 Through 09-10-2021",

}

RIS

TY - CONF

T1 - Vari, Lindo, Praeneste e Platone.

AU - Filser, Wolfgang Thomas Gerhard

A2 - Di Fraco, Luca

PY - 2022

Y1 - 2022

N2 - This contribution seeks to shed light on the mimetic tactics of Hellenistic art closely related to the context of sacred caves. Through the study of examples from Attica, Rhodes, and Praeneste, it emerges that artificial grottos of Hellenistic and Roman periods still clearly bear witness to these roots. Already in some sanctuaries of Pan and the Nymphs exist certain installations which relate images and context – i.e. the cave – in a highly conceptual way. These rural sanctuaries emerge as starting points of a long and vivid tradition. The specific iconography of the cave, which probably originated in Attica in the fourth century BCE, is only one piece of this complex puzzle. At the heart of the art of the grotto lie different mimetic practices which were already being applied in the Hellenistic age in a systematic and often combined manner. The question then arises whether through self-referentiality – established through these divergent mimetic practices – a meditation on the very nature of the image should be provoked.

AB - This contribution seeks to shed light on the mimetic tactics of Hellenistic art closely related to the context of sacred caves. Through the study of examples from Attica, Rhodes, and Praeneste, it emerges that artificial grottos of Hellenistic and Roman periods still clearly bear witness to these roots. Already in some sanctuaries of Pan and the Nymphs exist certain installations which relate images and context – i.e. the cave – in a highly conceptual way. These rural sanctuaries emerge as starting points of a long and vivid tradition. The specific iconography of the cave, which probably originated in Attica in the fourth century BCE, is only one piece of this complex puzzle. At the heart of the art of the grotto lie different mimetic practices which were already being applied in the Hellenistic age in a systematic and often combined manner. The question then arises whether through self-referentiality – established through these divergent mimetic practices – a meditation on the very nature of the image should be provoked.

M3 - Paper

SP - 345

EP - 366

Y2 - 7 October 2021 through 9 October 2021

ER -

ID: 345371024