Góngora's Heresy: Literary Theory and Criticism in the Golden Age

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Standard

Góngora's Heresy : Literary Theory and Criticism in the Golden Age. / Kluge, Sofie.

I: MLN, Bind 122, Nr. 2, 2007, s. 251-272.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Kluge, S 2007, 'Góngora's Heresy: Literary Theory and Criticism in the Golden Age', MLN, bind 122, nr. 2, s. 251-272.

APA

Kluge, S. (2007). Góngora's Heresy: Literary Theory and Criticism in the Golden Age. MLN, 122(2), 251-272.

Vancouver

Kluge S. Góngora's Heresy: Literary Theory and Criticism in the Golden Age. MLN. 2007;122(2):251-272.

Author

Kluge, Sofie. / Góngora's Heresy : Literary Theory and Criticism in the Golden Age. I: MLN. 2007 ; Bind 122, Nr. 2. s. 251-272.

Bibtex

@article{1ab9fa70019e11deb05e000ea68e967b,
title = "G{\'o}ngora's Heresy: Literary Theory and Criticism in the Golden Age",
abstract = "  This article proposes an interpretation of the polemics surrounding the publication of G{\'o}ngora's first Soledad (1613) in the light of the Platonic critique of literature, arguing that behind the classicist suppression of G{\'o}ngora's aesthetic {\textquoteleft}errors' we find a Platonic-Christian suspicion of the persuasive power of {\textquoteleft}false' poetic language and the {\textquoteleft}immoral hedonism' of non-didactic art ({\textquoteleft}the poets' beautiful lies'). Failing to understand the {\textquoteleft}division of labor' between Christian Platonism ({\textquoteleft}legislative power') and Aristotelean classicism ({\textquoteleft}executive power') in Golden Age literary theory and criticism, we fail to understand the controversy surrounding G{\'o}ngora's great poems as anything but sheer critical incomprehension.",
author = "Sofie Kluge",
year = "2007",
language = "English",
volume = "122",
pages = "251--272",
journal = "MLN - Modern Language Notes",
issn = "0026-7910",
publisher = "Johns Hopkins University Press",
number = "2",

}

RIS

TY - JOUR

T1 - Góngora's Heresy

T2 - Literary Theory and Criticism in the Golden Age

AU - Kluge, Sofie

PY - 2007

Y1 - 2007

N2 -   This article proposes an interpretation of the polemics surrounding the publication of Góngora's first Soledad (1613) in the light of the Platonic critique of literature, arguing that behind the classicist suppression of Góngora's aesthetic ‘errors' we find a Platonic-Christian suspicion of the persuasive power of ‘false' poetic language and the ‘immoral hedonism' of non-didactic art (‘the poets' beautiful lies'). Failing to understand the ‘division of labor' between Christian Platonism (‘legislative power') and Aristotelean classicism (‘executive power') in Golden Age literary theory and criticism, we fail to understand the controversy surrounding Góngora's great poems as anything but sheer critical incomprehension.

AB -   This article proposes an interpretation of the polemics surrounding the publication of Góngora's first Soledad (1613) in the light of the Platonic critique of literature, arguing that behind the classicist suppression of Góngora's aesthetic ‘errors' we find a Platonic-Christian suspicion of the persuasive power of ‘false' poetic language and the ‘immoral hedonism' of non-didactic art (‘the poets' beautiful lies'). Failing to understand the ‘division of labor' between Christian Platonism (‘legislative power') and Aristotelean classicism (‘executive power') in Golden Age literary theory and criticism, we fail to understand the controversy surrounding Góngora's great poems as anything but sheer critical incomprehension.

M3 - Journal article

VL - 122

SP - 251

EP - 272

JO - MLN - Modern Language Notes

JF - MLN - Modern Language Notes

SN - 0026-7910

IS - 2

ER -

ID: 10730329