Film Aesthetics and the Embodied Brain
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Film Aesthetics and the Embodied Brain. / Grodal, Torben Kragh.
Neuroaesthetics. red. / Martin Skov; Oshin Vartanian. Amityville, New York : Baywood Publishing Company, 2009. s. 249-260.Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning
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TY - CHAP
T1 - Film Aesthetics and the Embodied Brain
AU - Grodal, Torben Kragh
N1 - Peer reviewed
PY - 2009
Y1 - 2009
N2 - The article discusses - based on neuroscience and cognitive science - how the aesthetic experience of films depends on the brain's architecture and the mental flow called the PECMA flow. It describes how the flow from (visual and acoustic) perception of the film, via emotional and cognitive processes in the brain to simulated motor actions provides a series of options for aesthetic effects by the film's control of focus; focus on different steps in the flow will evoke different effects. The article further describe how shift of focus control experience of reality status, that is, whether something is real or mentalKeywords: Film aesthetics, neuroaesthetics, cognitive film theory film emotions
AB - The article discusses - based on neuroscience and cognitive science - how the aesthetic experience of films depends on the brain's architecture and the mental flow called the PECMA flow. It describes how the flow from (visual and acoustic) perception of the film, via emotional and cognitive processes in the brain to simulated motor actions provides a series of options for aesthetic effects by the film's control of focus; focus on different steps in the flow will evoke different effects. The article further describe how shift of focus control experience of reality status, that is, whether something is real or mentalKeywords: Film aesthetics, neuroaesthetics, cognitive film theory film emotions
M3 - Book chapter
SN - 9780895033369
SP - 249
EP - 260
BT - Neuroaesthetics
A2 - Skov, Martin
A2 - Vartanian, Oshin
PB - Baywood Publishing Company
CY - Amityville, New York
ER -
ID: 16918044