A Sound Print in the Human Archive: with Sidsel Nelund

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Standard

A Sound Print in the Human Archive : with Sidsel Nelund. / Trinh T., Minh-ha; Nelund, Sidsel.

D-Passage: The Digital Way. Durham : Duke University Press, 2013. s. 65-88.

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Harvard

Trinh T., M & Nelund, S 2013, A Sound Print in the Human Archive: with Sidsel Nelund. i D-Passage: The Digital Way. Duke University Press, Durham, s. 65-88. <https://www.dukeupress.edu/D-Passage/>

APA

Trinh T., M., & Nelund, S. (2013). A Sound Print in the Human Archive: with Sidsel Nelund. I D-Passage: The Digital Way (s. 65-88). Duke University Press. https://www.dukeupress.edu/D-Passage/

Vancouver

Trinh T. M, Nelund S. A Sound Print in the Human Archive: with Sidsel Nelund. I D-Passage: The Digital Way. Durham: Duke University Press. 2013. s. 65-88

Author

Trinh T., Minh-ha ; Nelund, Sidsel. / A Sound Print in the Human Archive : with Sidsel Nelund. D-Passage: The Digital Way. Durham : Duke University Press, 2013. s. 65-88

Bibtex

@inbook{61d47586333b4e0fbc4f74b41242cfc4,
title = "A Sound Print in the Human Archive: with Sidsel Nelund",
abstract = "D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a {"}way,{"} the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches. -- Publisher website. ",
author = "{Trinh T.}, Minh-ha and Sidsel Nelund",
year = "2013",
language = "English",
isbn = "978-0-8223-5540-3",
pages = "65--88",
booktitle = "D-Passage",
publisher = "Duke University Press",
address = "United States",

}

RIS

TY - CHAP

T1 - A Sound Print in the Human Archive

T2 - with Sidsel Nelund

AU - Trinh T., Minh-ha

AU - Nelund, Sidsel

PY - 2013

Y1 - 2013

N2 - D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches. -- Publisher website.

AB - D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches. -- Publisher website.

M3 - Book chapter

SN - 978-0-8223-5540-3

SP - 65

EP - 88

BT - D-Passage

PB - Duke University Press

CY - Durham

ER -

ID: 54111350