‘Repping your Ends’: Imagined Borders in Recent British Multicultural Fiction

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Standard

‘Repping your Ends’ : Imagined Borders in Recent British Multicultural Fiction. / Rahbek, Ulla.

I: Literature and Theology, Bind 27, Nr. 4,1, 03.2013, s. 426-438.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Rahbek, U 2013, '‘Repping your Ends’: Imagined Borders in Recent British Multicultural Fiction', Literature and Theology, bind 27, nr. 4,1, s. 426-438. https://doi.org/10.1093/litthe/frt037

APA

Rahbek, U. (2013). ‘Repping your Ends’: Imagined Borders in Recent British Multicultural Fiction. Literature and Theology, 27(4,1), 426-438. https://doi.org/10.1093/litthe/frt037

Vancouver

Rahbek U. ‘Repping your Ends’: Imagined Borders in Recent British Multicultural Fiction. Literature and Theology. 2013 mar.;27(4,1):426-438. https://doi.org/10.1093/litthe/frt037

Author

Rahbek, Ulla. / ‘Repping your Ends’ : Imagined Borders in Recent British Multicultural Fiction. I: Literature and Theology. 2013 ; Bind 27, Nr. 4,1. s. 426-438.

Bibtex

@article{6e7d5aaa7ea1401d9fea5983ee186cbf,
title = "{\textquoteleft}Repping your Ends{\textquoteright}: Imagined Borders in Recent British Multicultural Fiction",
abstract = "This article explores the phenomenon of imagined borders in recent multicultural British fiction. Focussing on Sunjeev Sahota{\textquoteright}s Ours Are the Streets (2011), Bernadine Evaristo{\textquoteright}s Hello Mum (2010), and Stephen Kelman{\textquoteright}s Pigeon English (2011), it suggests that borders figure here in a very different way from the celebratory mode of much border theory and many earlier multicultural novels (e.g. Zadie Smith{\textquoteright}s White Teeth). Drawing on Diener and Hagen{\textquoteright}s Borders (2012) as well as on general ideas about borders by Homi Bhabha, Kenan Malik, Salman Rushdie, Arjun Appadurai, and other thinkers, the article argues that in recent multicultural British fiction about gangs and (potential) fundamentalist terrorism, borders are common spatial tropes and unambiguous, if imaginary, markers that you cross at your peril.",
keywords = "Faculty of Humanities, Britisk multikulturel samtidslitteratur",
author = "Ulla Rahbek",
year = "2013",
month = mar,
doi = "https://doi.org/10.1093/litthe/frt037",
language = "English",
volume = "27",
pages = "426--438",
journal = "Literature and Theology",
issn = "0269-1205",
publisher = "Oxford University Press",
number = "4,1",

}

RIS

TY - JOUR

T1 - ‘Repping your Ends’

T2 - Imagined Borders in Recent British Multicultural Fiction

AU - Rahbek, Ulla

PY - 2013/3

Y1 - 2013/3

N2 - This article explores the phenomenon of imagined borders in recent multicultural British fiction. Focussing on Sunjeev Sahota’s Ours Are the Streets (2011), Bernadine Evaristo’s Hello Mum (2010), and Stephen Kelman’s Pigeon English (2011), it suggests that borders figure here in a very different way from the celebratory mode of much border theory and many earlier multicultural novels (e.g. Zadie Smith’s White Teeth). Drawing on Diener and Hagen’s Borders (2012) as well as on general ideas about borders by Homi Bhabha, Kenan Malik, Salman Rushdie, Arjun Appadurai, and other thinkers, the article argues that in recent multicultural British fiction about gangs and (potential) fundamentalist terrorism, borders are common spatial tropes and unambiguous, if imaginary, markers that you cross at your peril.

AB - This article explores the phenomenon of imagined borders in recent multicultural British fiction. Focussing on Sunjeev Sahota’s Ours Are the Streets (2011), Bernadine Evaristo’s Hello Mum (2010), and Stephen Kelman’s Pigeon English (2011), it suggests that borders figure here in a very different way from the celebratory mode of much border theory and many earlier multicultural novels (e.g. Zadie Smith’s White Teeth). Drawing on Diener and Hagen’s Borders (2012) as well as on general ideas about borders by Homi Bhabha, Kenan Malik, Salman Rushdie, Arjun Appadurai, and other thinkers, the article argues that in recent multicultural British fiction about gangs and (potential) fundamentalist terrorism, borders are common spatial tropes and unambiguous, if imaginary, markers that you cross at your peril.

KW - Faculty of Humanities

KW - Britisk multikulturel samtidslitteratur

U2 - https://doi.org/10.1093/litthe/frt037

DO - https://doi.org/10.1093/litthe/frt037

M3 - Journal article

VL - 27

SP - 426

EP - 438

JO - Literature and Theology

JF - Literature and Theology

SN - 0269-1205

IS - 4,1

ER -

ID: 182362850