On the relation between dynamic contemporary culture and creative forms of the visual, to be published at Brill in 2019. The projects surveys theory-debates on culture in the postwar West, increasingly influenced by visual phenomena, and couples these debates with notions of non-representation, materialism, and the imaginary. It develops and complements the three volume collection Transvisuality. The cultural Dimension of Visuality which he is co-editing for Liverpool University Press, 2013-2019 (https://liverpooluniversitypress.co.uk/search?q=transvisuality) focused on how visual culture works in globalization processes as creative forms of the new with forty contributors from all over the world and topics from a wide array of visual phenomena.