Drawing Fear of Difference: Race, Gender, and National Identity in Ms. Marvel Comics

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Drawing Fear of Difference : Race, Gender, and National Identity in Ms. Marvel Comics. / Cooper-Cunningham, Dean.

I: Millennium: Journal of International Studies, Bind 48, Nr. 2, 23.12.2019, s. 165-197.

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningfagfællebedømt

Harvard

Cooper-Cunningham, D 2019, 'Drawing Fear of Difference: Race, Gender, and National Identity in Ms. Marvel Comics', Millennium: Journal of International Studies, bind 48, nr. 2, s. 165-197. https://doi.org/10.1177/0305829819889133

APA

Cooper-Cunningham, D. (2019). Drawing Fear of Difference: Race, Gender, and National Identity in Ms. Marvel Comics. Millennium: Journal of International Studies, 48(2), 165-197. https://doi.org/10.1177/0305829819889133

Vancouver

Cooper-Cunningham D. Drawing Fear of Difference: Race, Gender, and National Identity in Ms. Marvel Comics. Millennium: Journal of International Studies. 2019 dec. 23;48(2):165-197. https://doi.org/10.1177/0305829819889133

Author

Cooper-Cunningham, Dean. / Drawing Fear of Difference : Race, Gender, and National Identity in Ms. Marvel Comics. I: Millennium: Journal of International Studies. 2019 ; Bind 48, Nr. 2. s. 165-197.

Bibtex

@article{b37718c4adbf419fa0128056e270b967,
title = "Drawing Fear of Difference: Race, Gender, and National Identity in Ms. Marvel Comics",
abstract = "Feminist scholars have provided important analyses of the gendered and racialised discourses used to justify the Global War on Terror. They show how post-9/11 policies were made possible through particular binary constructions of race, gender, and national identity in official discourse. Turning to popular culture, this article uses a Queer feminist poststructuralist approach to look at the ways that Ms. Marvel comics destabilise and contest those racialised and gendered discourses. Specifically, it explores how Ms. Marvel provides a reading of race, gender, and national identity in post-9/11 USA that challenges gendered-racialised stereotypes. Providing a Queer reading of Ms. Marvel that undermines the coherence of Self/Other binaries, the article concludes that to write, draw, and circulate comics and the politics they depict is a way of intervening in international relations that imbues comics with the power to engage in dialogue with and (re)shape systems of racialised-gendered domination and counter discriminatory legislation.",
keywords = "Faculty of Social Sciences, queer, feminism, poststructuralism, identity, Global War on Terror, USA, popular culture, pop culture",
author = "Dean Cooper-Cunningham",
year = "2019",
month = dec,
day = "23",
doi = "10.1177/0305829819889133",
language = "English",
volume = "48",
pages = "165--197",
journal = "Millennium: Journal of International Studies",
issn = "0305-8298",
publisher = "Sage Journals",
number = "2",

}

RIS

TY - JOUR

T1 - Drawing Fear of Difference

T2 - Race, Gender, and National Identity in Ms. Marvel Comics

AU - Cooper-Cunningham, Dean

PY - 2019/12/23

Y1 - 2019/12/23

N2 - Feminist scholars have provided important analyses of the gendered and racialised discourses used to justify the Global War on Terror. They show how post-9/11 policies were made possible through particular binary constructions of race, gender, and national identity in official discourse. Turning to popular culture, this article uses a Queer feminist poststructuralist approach to look at the ways that Ms. Marvel comics destabilise and contest those racialised and gendered discourses. Specifically, it explores how Ms. Marvel provides a reading of race, gender, and national identity in post-9/11 USA that challenges gendered-racialised stereotypes. Providing a Queer reading of Ms. Marvel that undermines the coherence of Self/Other binaries, the article concludes that to write, draw, and circulate comics and the politics they depict is a way of intervening in international relations that imbues comics with the power to engage in dialogue with and (re)shape systems of racialised-gendered domination and counter discriminatory legislation.

AB - Feminist scholars have provided important analyses of the gendered and racialised discourses used to justify the Global War on Terror. They show how post-9/11 policies were made possible through particular binary constructions of race, gender, and national identity in official discourse. Turning to popular culture, this article uses a Queer feminist poststructuralist approach to look at the ways that Ms. Marvel comics destabilise and contest those racialised and gendered discourses. Specifically, it explores how Ms. Marvel provides a reading of race, gender, and national identity in post-9/11 USA that challenges gendered-racialised stereotypes. Providing a Queer reading of Ms. Marvel that undermines the coherence of Self/Other binaries, the article concludes that to write, draw, and circulate comics and the politics they depict is a way of intervening in international relations that imbues comics with the power to engage in dialogue with and (re)shape systems of racialised-gendered domination and counter discriminatory legislation.

KW - Faculty of Social Sciences

KW - queer

KW - feminism

KW - poststructuralism

KW - identity

KW - Global War on Terror

KW - USA

KW - popular culture

KW - pop culture

U2 - 10.1177/0305829819889133

DO - 10.1177/0305829819889133

M3 - Journal article

VL - 48

SP - 165

EP - 197

JO - Millennium: Journal of International Studies

JF - Millennium: Journal of International Studies

SN - 0305-8298

IS - 2

ER -

ID: 228946661